There’s no light without control


Color correction works like it did in
the darkroom: intuitive, tactile, and precise.
The controller gives direct access to RGB channels,
letting you shape color through light instead of software.

Two correction modes adapt to how you work:
Relative links channels together for smooth, balanced adjustments,
while Absolute provides independent, fine control when every tone matters.

This isn’t digital color grading, it’s color built by hand, through light.


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